West End Poetry Festival: 2 days, 8 events, 20+ poets

Carrboro's West End Poetry FestivalThe 2014 West End Poetry Festival is coming up on October 17 and 18, and, as both a participant and an organizer, I’m excited about this festival, funded by the arts-hip Town of Carrboro.

Participating poets represent a wide range of poets—different styles, different points in their careers, different places in their lives. The West End Poetry Festival can boast both James Applewhite with a dozen poetry titles to his credit (the first published in 1975, the most recent this year—a 40-year spread) and spoken-word poet Kamaya Truitt-Martin, a sophomore at North Carolina Agricultural and Technical State University.

While Triangle area poets are well represented in the festival line-up, Sharon Nyree Williams is making her way to the festival from Seattle, and Sarah Rose Nordgren, whose Best Bones (University of Pittsburgh Press, 2014) won the Starrett Prize for Poetry, is coming from Cincinnati.

I could say wonderful things about the work of all the participating poets—but poetry is better experienced than summarized, so I hope to see you at at least part of this free festival, which kicks off Friday, October 17, with a reception and readings by James Applewhite, Ross White, Sarah Rose Nordgren, David Roderick, and Charmaine Cadeau, 6:30 to 8:30 pm at Flyleaf Books in Chapel Hill.

The festival continues Saturday, October 18, noon to 8:30 pm at the Century Center in Carrboro, with an open workshop on form and its uses (even for free-verse poets), an experiential workshop for middle-school-age and high-school-age poets, panel sessions on poetry and place, an open mic, a reception, and a final reading featuring Cathy Smith Bowers, poet laureate of North Carolina from 2010 to 2012. Saturday poets include Cathy Smith Bowers, Laurence Avery, Pam Baggett, Steve Cushman, Tyree Daye, Ann Deagon, Terri Kirby Erickson, Dave Manning, Joseph Mills, Gary Phillips, Sacrificial Poets, Alana Sherrill, Susan Spalt, Celisa Steele, Chris Tonelli, Kamaya Truitt-Martin, and Sharon Nyree Williams.

For more, check out the full 2014 West End Poetry schedule and poet bios (PDFs).

And, last but not least, here’s a poem from Cathy Smith Bowers, who will read at the final event of the 2014 West End Poetry Festival.

A Southern Rhetoric

by Cathy Smith Bowers

“It’s a sight in this world
the things in this world
there are to see!” my mother says
as she hurries between the stove
and Sunday table. She is just back
from vacation. Happy.
Talking mountains. Talking rivers.
Big cedars and tidal bores.
When I tease her for redundancy,
her face glows like a sturgeon moon
risen above fat buttery atolls
of biscuits, steaming promontory
of roast. She shakes her finger
in my face and scolds me good:
“Girl, don’t you forget who it was
learned you to talk.”

Amazing she would want
to lay claim to these syllables
piling up like railroad salvage
when I speak, to these words slow as hooves
dredging from the wet of just-plowed fields.
I watch her turn, embarrassed, to the sink,
to the pots and pans she will scrub
to a gleam so bright we can see ourselves
as if the two of us stared back
from the lost rhetoric of memory.
From the little house, the crib where
she bent each day, naming
for me the world where words always fail,
warranting, now and then,
those few extra syllables,
some things spoken twice.

Why I Find Occasional Poems Tricky

Carrboro Town SealAs Carrboro poet laureate, I was invited to read a poem last night at the swearing-in ceremony of Carrboro’s new mayor, Lydia Lavelle, and re-elected alderpersons Jacquelyn Gist, Randee Haven-O’Donnell, and Sammy Slade at Carrboro Town Hall.

It was also suggested that I might write a poem for the occasion. And, while writing something for the event intimidated me, I did write my first occasional poem for the swearing-in.

Before I share the poem, let me comment on why I felt intimidated. As Wordsworth is oft (over?) quoted as saying, “Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.”

Therein, for me, is the difficulty of the occasional poem—the poet has to anticipate the powerful feelings. The poet doesn’t get to recollect them in tranquility. She’s ideally part of creating the powerful feelings. And, by and large, I do draw on past events that are emotionally interesting and significant to me when I write. So undertaking an occasional poem flipped my usual writing process on its head. That and the strict deadline daunted me.

While I may envy them as poets, I certainly don’t envy Robert Frost, Maya Angelou, Miller Williams, Elizabeth Alexander, and Richard Blanco the task they each undertook to write a poem for a presidential inauguration. But working on my own occasional poem did give me new appreciation of what each managed to accomplish.

In any case, I feel lucky to live in a town like Carrboro has created and supported the position of a poet laureate and whose mayor values words enough to request an occasional poem.

So here it is, my first occasional poem.

Swearing-In Ceremony

by Celisa Steele

Swear comes from Middle English sweren
and may be akin to the Old Church
Slavic svarŭ, meaning to quarrel.

It doesn’t matter—although it may
help, when quarrels arise, to recall
the Slavic: what you do is ancient,

rooted in words you speak now. Neither
is history worth much tonight, whose
footsteps you follow irrelevant,

dry as etymology. Even
what you say tonight doesn’t matter.
Saying a thing never made it so

as every poet knows. Words are weak
and never change a world. But say them
still—because they should be, must be said

as all poets also know. Then go
do the work, stack action on action,
stone on stone, build the thing sturdy and strong.